Vallum Magazine invited me to contribute a poem on "Speed," and so I wrote one. Then I made it into a video incorporating music (a transmogrified version of the Allemande from Bach's Cello Suite #1) and the spoken text. My daughter helped me create the transtemporal ghost bears.
Over the last several years, I've been working on—or have gathered together from miscellaneous work—a series of visuals based on the notion of hybridity. I plan to exhibit these images as an art show. In the meantime, I've posted them on a tumblr over here.
Here's my 'artist statement':
We live in hybridity. Language is hybrid. Looking is hybrid. Culture is hybrid. These images explore the hybrid connection between humans and animals, between the real world and images, between the natural and the human-made world. Each word, each glance, each thought is a centaur, or a hand-headed owl, a grammar-horned deer. Antlers on a shopping cart. And everything changes. Everything is in the process of changing. Knowing is quantum. Understanding is chimerical. So is wonder. A jackalope, a feejee mermaid, cryptozoology or cryptocognition. We don’t know what to believe. We even doubt our skepticism. When is a pipe not a pipe? When it is a brain that is half a butterfly’s wing. Why is a raven like a writing desk? Because it has wings. Except I lied about the wings.