Monday, May 20, 2013
Monday, May 13, 2013
Saturday, May 04, 2013
Visual Poems can be Read Closer than They Appear: Commentary Series on Jacket2.org
I love the idea that if I write about something that I'm doing elsewhere on the internet here on this blog and that on that other thing has a link which sends people here to check out my blog, they are confronted with the announcement and the link for the place that they just came from. They could click back to that and then, seeing that there is information there about the blog return here. Wash, rinse, and repeat. They could be stuck in some kind of semiotic perpetual loop. At least until fossil fuel runs out, they wear down the keys on their keyboard or their fingers break free and board ten independent rocketships to Jupiter.
That said, I'm writing a commentary series on Jacket2.org entitled LANGUAGEYE, concerning the close reading of visual poetry. You can get to it here.
And to save those who go there from finding the link to this blog and clicking back, here's an idea. Just click on the air with those pre-liberated fingers and your imaginary mouse and -- hey presto! - you're back here again. Welcome. Long live the clickable. The redirected. The prime directive. The Moebius detective (just now, my new favourite character.) And welcome back. And again.
Here's the first piece on Jacket2.org.
Here's the second, about some of Dan Waber's work.
The series will run for three months -- May to July.
Hope you enjoy it.
Friday, May 03, 2013
Monday, April 29, 2013
Sunday, April 28, 2013
Saturday, April 27, 2013
Hinterlandtional Pwoermd Raiding Mist 27
rest:art
humanimist
humanymist
huemany
humminganist
*
thounds
of þilence & þibilence
*
Beyond Erasure
I was thinking about what was the next stage of erasure texts and/or blank texts. And thought of silent letters and those letters that are not pronounced (eg. the second f in daffodil.)
So I took Wordsworth's "Daffodils" and erased all the letters and punctuation and physically cut out the silent letters. So silent even the paper can't pronounce them.
The first image is the silent letters marked as black rectangles. The second is the cut-outs. (I accidentally inverted the image.)
Thursday, April 25, 2013
Wednesday, April 24, 2013
Tuesday, April 23, 2013
Shakespeare: Supreme Masterpiece and Proof Definitive by Pierre Henrion
This truly remarkable pamphlet explains through definitive and supreme analysis that Francis Bacon wrote Shakespeare. Or that Pierre Henrion is a master visual poet and Kabbalist-style reader. (The English text appears also in French, but it has not been scanned here.)
Ampersonational Pwoermd Robing Minx 22-23
ʼn-“n’t”'s
’m’rsa’nd
innersand
ampersonation
ampersound
anpersamd
&mpers&d
&personator
ambersand
&
amdersanp
Sunday, April 21, 2013
Enfinationationationational Pwoermd Whiting Monk 21
infinight
enfinity
unfinity
profinity
skyrie
kyrie elision
Saturday, April 20, 2013
Friday, April 19, 2013
inner national pwoisonerd moonbeam 19
heart[sic]
Idiot savant-garde
xxxoooxxx
Ggod
nounmenon
mu(sic)
un&less
heardattack
artvark
tubercool
wingfall
animinimal
aniniminimal
ininimicable
ininimitable
inminimall
*
HEALING MACHINE
Nightingales' notebooks seem like lanterns and express a variety of sentiments of adoration and lumber. The parrot, mainframe, jackdaw, jailer, jerk, trailer and bullfinch. The parson, jack-in-the-box, jazz, statistic, and bullock and the exquisite little canary, the pupil of my friend Mrs. H------. The mainland, jalopy, jerkin, stationer, and bumble. The poet, indeed, not only of its misquotes, but of statesmen and canoes. The war bled its words. The wonderful quiet of Prince Maurice of the Cemetery, that responsed almost rationally to promiscuous questions. Granite then, this falcon of merger, this failure of mend, it is clear matters may dream; and may I mouth the shoreline.
We have heard these night-sleeves while the cage was asleep, the same weal we sometimes utter in our birthmarks, a circumstance where, ”Dreams their teeth repeat.'
We have observed these nimbus-sorrows, driftwood birds, sunburn and superstar. On the night of the 6th April, 1811, about ten o'clock, trench warfare was heard in the garden going through its usual song more than a dozen times very faintly, but distinctly enough to be stabilized. The nightshirt was colleague and frosty, but might it not be that the mutiny was dreaming of sunbonnet and superpower? Aristotle, indeed, proposes quiet.
Tuesday, April 16, 2013
Monday, April 15, 2013
Sunday, April 14, 2013
Impertinenantional Pwoermd Scribing Musth 7-15
designature
solemnemonic
asole
knowledgnomic
psalomn
salmonuminous
salmonophony
psalmon
eeyeeyeeyore
æiæio.
laughoti
otionwaves
th2oughoti
th2ought
thoughoti
lighghghoti
demoticondemn
stonement
phewphangled
oulipwoermd
charactor
wordinance
wordnance
wordance
songtoadodgical
forcedthought
pineforced
thoughthguoht
throughuthguoht
postpwoermd
languescape
landescape
lexicontinent
landscrap
landscrape
landreading
writonguage
Thursday, April 11, 2013
Because Birds
we keep history in trees
and breathing
a computer written
by the ocean
or the wind
by the sea
all songs thought
the perfect thought
a hole in something
what a card trick does to fingers
the mouth a synagogue
filled with bread and doubt
shadows because hands
because birds
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